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'Walking Dead' Billboard Unwelcome Next to Funeral Home

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Clear Channel has been forced to apologize after placing a billboard for The Walking Dead right next to a funeral home in England. As is often the case with these types of stories (particularly ones from the U.K.), the quotes from people on the street are the best part. Susan Jones, a resident of a nearby hospice and thus apparently an expert on death, says: "There must be somewhere else they could put it that would have shown a degree of insight and sensitivity. … Emotions can be pretty raw when people are recently bereaved. Words like 'death' and 'dead' can be very difficult." (Imagine what the word undead does to a person!) Jones goes on: "If you encounter this just as you are going to the funeral service to make arrangements for a loved one, it could be upsetting. People of a certain age group could find it particularly challenging." A local councilor was also asked about it. He replied, stoically: "Some will be amused, others may be offended. It left me unmoved." Meanwhile, a spokesman for the funeral home called the whole thing "disappointing," and Clear Channel said it regrets the "unfortunate juxtaposition" and removed the ad right away.


Honda Civic Perfect for Zombies and Other Freaks

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It doesn't matter who you are—there's a Honda Civic for you. That's the message of RPA's entertaining new ads for Honda, which broke Wednesday. To prove the point, they've assembled the most motley cast of Civic drivers imaginable. The five characters in the new campaign are:

• The zombie, Mitch, a salesman who's into high-tech gadgets. His Civic Sedan is loaded with options like Bluetooth HandsFreeLink and navigation system with FM Traffic.

• The urban woodsman, Jack, who lives in the city but is at home in the woods. He likes his Hybrid for its great fuel efficiency, which comes in handy on his many trips to the great outdoors.

• The ninja, Aiko, who's cute, innocent and deadly. A martial-arts phenom who's partial to red licorice and arcade games, she pairs well with the high-energy performance of the Si model.

• Cesar, the champion luchador (aka Mexican wrestler), who's somewhat of a celebrity. He's handsome, charming and a bit vain so he, of course, appreciates the Civic Coupe's sleek lines.

• The monster, Teeny, a bubbly and studious college coed. Her practical nature and frugal budget align with the fuel-efficient HF model.

Each of them is getting his or her own spot. The zombie, woodsman and ninja spots are posted below, along with a combo spot. The luchador and monster spots are forthcoming. This whole campaign is pretty wonderful—humorous but packed with product features, and with wonderful details throughout. 








CDC's Blog Post About Zombies Proves Apocalyptic to Website

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Yesterday afternoon, the Centers for Disease Control and Prevention tweeted out a link to a new blog post on their website called "Preparedness 101: Zombie Apocalypse." A great marketing idea, we must admit—someone over there has been watching The Walking Dead. The only problem is, the surge of traffic took out their whole blog. And it's still down this morning! (It's since been cross-posted here on a different area of the CDC site.) Now, the power of Twitter to destroy the will of servers is well documented. But this is actually somewhat sobering. It makes me wonder if the CDC would be ready for a real outbreak or if their server would melt the moment they posted the life-saving solutions for surviving the next ferret-flu attack. Luckily, if an apocalyptic situation does occur today (or more likely, on Saturday), the main CDC site is still available. According to those who got to the blog before it crashed, these are the CDC's guidelines for a zombie apocalypse:
  1. Identify the types of emergencies that are possible in your area. Besides a zombie apocalypse, this may include floods, tornadoes, or earthquakes. If you are unsure, contact your local Red Cross chapter for more information.
  2. Pick a meeting place for your family to regroup in case zombies invade your home . . . or your town evacuates because of a hurricane. Pick one place right outside your home for sudden emergencies and one place outside of your neighborhood in case you are unable to return home right away.
  3. Identify your emergency contacts. Make a list of local contacts like the police, fire department, and your local zombie response team. Also identify an out-of-state contact that you can call during an emergency to let the rest of your family know you are OK.
  4. Plan your evacuation route. When zombies are hungry, they won't stop until they get food (i.e., brains), which means you need to get out of town fast! Plan where you would go and multiple routes you would take ahead of time so that the flesh eaters don't have a chance! This is also helpful when natural disasters strike and you have to take shelter fast.

Ad of the Day: Getafe (NSFW)

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Looking to boost your pro soccer team's attendance levels? It's as easy as one, two, three: 1) Film an X-rated movie about horny zombie women and include lots of your team's paraphernalia in it. 2) Distribute the film at sperm-donor clinics. 3) Welcome babies nine months later who'll be predisposed to become fans because their fathers were thinking passionately about the team at the moment of sperm donation.

Attempting to literally breed more season ticket holders? That's more ambitious than, say, a coupon. But Getafe, a poorly supported team in Spain's top-flight La Liga, is desperate. And yes, the team claims to have actually shot the film, called Zombies Calientes de Getafe, and delivered it to various clinics in Madrid. Its marketing director, José Antonio Cuétara, says the tongue-in-cheek movie is "controversial but very good." And the director, Ángel Torres, is optimistic it will have an effect, no matter how dubious the science may be. "If the campaign is successful, we'll have to build a bigger stadium," he said.

A novel idea. Let's just hope the New York Jets don't try something similar.



CREDITS:
Client: Getafe
Spot: "Zombies Calientes de Getafe"
Agency: El Ruso de Rocky, Madrid, Spain
Creative Director: Ángel Torres
Art Director: Maxi Sterle
Production Company: Landia Madrid
Director: Miguel Campana
Director of Photography: Christos Voudouris
Executive Producer: Ivo van Vollenhoven
Senior Producer: Assaf Eldar
Junior Producer: Mafe Bello
Postproduction: Exit Spain
Sound: Sonodigi

Zombies Now Being Cast in Commercials for Yoga Centers

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I must admit, my first thought while watching this ad for a Vancouver yoga center was: "Oh great, more f*cking zombies." Well, ad agency John St. must have seen that kind of snark coming, because they paired their tagline ("Come back to life") with a great ending. They could cut out the gratuitous feeding scene on the way there, but this spot makes the zombie concept work instead of just attaching it to the brand with a rivet gun. And even a bad zombie ad would have been better than the "soft focus and New Age music" identity most yoga centers use.

Zombies in Advertising: Oh, the Horror!

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When it comes to scare tactics, advertisers are fond of one rotting, shuffling, foul-smelling, flesh-eating monster in particular: the zombie. In this, they're simply mimicking consumers, who've had an insatiable appetite for zombies for years now. And it's often true that nothing brings an ad campaign to life quite like the undead. It hardly matters what you're selling. Cars, electronics, video games, sneakers, candy—whatever the category, the ads are always happy to welcome an animated corpse or two, hell bent on dispossessing you of your brains and your disposable income. For this infographic, we've collected 10 examples of zombie ads from the past year or so—evidence that the trend is hardly slowing down. These creatures will likely still be selling clear through the zombie apocalypse.

  1. Sears
    For the second straight Halloween, the retailer has a whole Sears.com/zombie section of its website, with videos, products and advice for humans and zombies alike.





  2. Honda
    RPA's ads for the Honda Civic featured a zombie named Mitch, one of various motley souls drawn to a vehicle "uniquely suited for unique people."

  3. FedEx
    When you absolutely, positively have to save your friend from becoming a zombie, you choose FedEx to ship the antidote, said this spot from BBDO in the Philippines.

  4. Centers for Disease Control

    Even the U.S. government has gotten in on the act: The CDC this year posted an online guide to preparing for the zombie apocalypse. Unfortunately, traffic crashed the CDC's website—not a good sign in the event of an actual apocalypse.
  5. Starburst
    TBWA\Chiat\Day threw a zombie into its Starburst "Contradictions" campaign, with a bus-riding rotter claiming that "living dead" in the most noteworthy contradiction of all.

  6. Yoga Outreach
    "Come back to life," suggested this Canadian commercial by ad agency John St. for a yoga center whose clientele real does need limbering up.

  7. Converse
    Undead versions of indie pop duo Matt and Kim, rapper Soulja Boy, and party dude Andrew W.K. threw a rager in a morgue in this creepy sneaker spot from Anomaly.

  8. Toyota
    The Toyota Corolla provides much-needed safety from flesh-eating creeps in this Burrell Communications campaign, timed to the first season of AMC's The Walking Dead.

  9. Call of Duty
    Zombies make the most sense when the product is zombie related—for example, Activision's zombie game Call of Duty: Black Ops Rezurrection. This live-action trailer from TBWA\Chiat\Day is probably the goriest spot of its kind this year.

  10. Dead Island
    This video game, from Techland and Deep Silver, also takes place in a zombie-infested world. The stunning trailer, filmed in slow-motion reverse, won a Gold Lion in Film at Cannes this year.

Don't Text and Drive, You Mindless Moaning Zombie

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People who text while driving are on par with flesh-eating zombies, according to a new PSA from California's Office of Traffic Safety. The spot below, created by Glass Agency and Bully Pictures, is based on Carnegie Mellon research about the effect of phone distractions on drivers. "It reduces brain power by 37 percent," says Chris Cochran, a spokesman for the state agency. "When you drive and use a cell phone for talking or texting, you're essentially driving like a zombie." It's not a perfect metaphor, but I suppose texting zombie drivers are a more serious problem than texting zombie pedestrians.

Ad of the Day: New York Lottery

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Shaun of the Dead has a lot to answer for, culturally speaking, but every now and then it births a shambling, mumbling, flesh-starved horror it should be proud of. Among them is DDB New York's "Zombies" ad for the New York Lottery Mega Millions, which will run in cinemas starting today (spreading soon to TV), and features a trio of apocalypse survivors preparing to fend off a horde of restless undead inside a storefront, only to be saved at the last minute by an announcement that the lottery jackpot is now at "millions and millions of dollars!"

A few questions about this spot: Assuming one of the zombies wins the lottery, what will he buy with the proceeds? Answer: Brains. Why are the people inside the Brooklyn laundromat facing the plate glass window, rather than hiding deeper inside the store? Answer: Brains. Why is the government taking valuable zombie-killing time out of a hopefully very busy schedule to announce the lottery jackpot over what must be the only remaining television station? Answer: Braaaaaaaains.

Nice touches here: the QUARANTINE sign behind the zombie trying to hail a taxi; the orange vest-wearing ghoul who regains his humanity long enough to give a "what's with this guy?" shrug when there's nobody in the newsstand to take his money; everybody's contacts are great. Also the "beauty supply" store behind the zombies as they break the plate-glass window. Also, the musical refrain, written for the ad by Fountains of Waynes bassist Adam Schlesinger, “You gave me a reason to live.”

All in all, a well-directed spot with an instantly recognizable theme at least one huge, unintended truth, namely that lottery tickets are for people who really need brains.

Yes, all right, fine, I've played the lottery, too.



Credits
Agency: DDB New York
Chief Creative Officer: Matt Eastwood
Creative Directior: Rich Sharp
Creative Director: Mike Sullivan
Head of Production: Ed Zazzera
Executive Producer: Walter Brindak
Group Account Director: Leo Mamorsky
Management Supervisor: Kelly Gorsky
Account Supervisor: Heather Olson  
Assistant Account Executive: Tarina Hesaltine
Assistant Producer: Katy Fuoco

Production Company: O Positive
Director: Jim Jenkins
Exececutive Producer: Ralph Laucella
Line Producer: Ralph Laucella
DP: Larry Fong

Post-Production: Cutting Room Films
Editor: Chuck Willis

Visual Effects Company: Light of Day
Amy Taylor - Managing Director
Charles Nordeen - Creative Director of Development
Colin Stackpole  - Creative Director
Justin Barnes - Lead Designer
Di He - CG Technical Director 
Josh Williams - Senior Smoke Artist
Kristen Barnard - Head of Production


Dropped by Dish, AMC's Zombies Invade NYC

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When there's no more room in hell, the dead will walk the earth. And when there's no more AMC on Dish Network, the dead will walk New York City. Viral marketing agency Thinkmodo recently unleashed a small horde of zombies onto the streets to scare the bejesus out of pedestrians and, in the process, rally support for the Walking Dead network to be returned to Dish. The satellite provider blacked out AMC, IFC and Sundance a month ago when programming fee negotiations went sour. Since we're still months away from the next season of Walking Dead, AMC needed a stunt like this to keep the super-popular show in people's minds. "Zombies don't belong here," Thinkmodo's video concludes. "Put them back on TV."

AMC Continues Zombie Attack on Dish With Undead Presidential Candidate

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Depending on your ideological leanings, a viable third-party presidential candidate may sound like a good thing right about now. Even if he's undead. A pasty-faced decaying dude named A. Zombie, created by AMC Networks as part of a creepy ongoing anti-Dish-Network campaign, has just launched a whistle-stop tour of the country to promote his self-serving agenda. He's trying to get the satellite provider Dish to once again offer AMC, home to zombiepocalyse hit The Walking Dead, and sister channels WEtv, IFC and Sundance. (The two companies are locked in a legal battle.) A. Zombie made his dead-ish debut in San Diego on Monday and plans to hit Dallas, Atlanta and New York. The upcoming political conventions in Tampa and Charlotte? He'll be there, too, stumping on slogans like, "Reduce, reuse, recycle, reincarnate" and "No zombie left behind." Some might say A. Zombie is still more lifelike than Mitt Romney. But would anyone really vote for a guy with no foreign policy experience and no braaaaaiiins?

The Spot: Heart of Darkness

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IDEA: Zombies crave braaaains, but they're also fond of heaaaarts. Your heart keeps you alive, after all, and zombies need you alive to devour you. So, it stands to reason zombies know CPR—to resuscitate heart-attack victims and not let that good food go to waste. That's the amusing premise behind this tense and gory PSA for the Heart and Stroke Foundation of Ontario. Advertising is soaked in zombie blood already, but given the target (young people) and the timing (Halloween), Agency59 couldn't resist. It got cult horror auteur Vincenzo Natali on board. The Canadian director turned in a mini masterpiece—a ferocious three-minute spot that packs in great special effects, an entertaining twist and even a short CPR demo. Eat your heart out, America!

COPYWRITING: The client liked Vinnie Jones and Ken Jeong's CPR videos, both set to the Bee Gees song "Stayin' Alive," which famously has the two-beats-per-second rhythm you're supposed to use for CPR chest compressions. "I think they were expecting us to use 'Stayin' Alive' as well," said Agency59 chief creative officer Brian Howlett. "But we decided to tell this other story." In it, a woman is caught up in a zombie apocalypse when she has a heart attack and drops to the ground. The zombies, step by step, use CPR to bring her back to life. "CPR makes you undead," says the on-screen copy. Soon enough, this is true in the darker sense—as the horde descends on the woman and turns her into one of them. "We wanted to bring a bit of sly humor into the zombie genre," Howlett said of the script. "And the client didn't change a word."



ART DIRECTION/FILMING: Natali shot over a weekend in August, shutting down parts of downtown Toronto. The film has a cinematic and intensely grim look. The greenish color grade adds to the sense of rot. Natali, who had never shot an ad, was drawn to the material and got several Hollywood friends involved at a fraction of the normal cost, including the special-effects team at Alter Ego—who spectacularly ruined the Toronto cityscapes with CGI and gave the zombies oozing wounds and glowing eyes. Even the length is cinematic, almost trailer-like. "We knew that the longer we set it up, that the turn [i.e., the plot twist] would be pretty funny," said Howlett.

TALENT: Canadian actress Michelle Nolden, another frequent Natali collaborator (she stars in his upcoming movie Haunter), donated her time to play the lead. She deftly conveys raw fear. "We were looking for someone of a certain age where it was possible she could have a heart attack. She couldn't be a teen," said Howlett. "But she's also athletic and strong. She's not really a damsel in distress." Many of the zombies are people who belong to zombie clubs and often dress up and play undead parts. "We used our casting sources, but we definitely tapped into the zombie pool as well," said Howlett.



SOUND: Cyrille Aufort, another Natali favorite, composed the score. "It had to convey suspense and speak to the genre, but also inform the turn when it happens," said Howlett. It also keeps to two beats per second during the demo. The Foley and ambient sounds were done by RMW in Toronto.

MEDIA: It's primarily an online campaign, based at TheUndeading.ca, but the film premiered at a live event in Toronto's Dundas Square and aired in its entirety during a show on Canada's Space network. A scripted initiative on Twitter has 20 characters desperately trying to get from Dundas Square to a zombie-free "safe zone" at Canada's Wonderland amusement park—where, at the conclusion of the campaign, the client will hold live CPR training.

THE SPOT:


CREDITS
Client: Heart & Stroke Foundation of Ontario
Agency: Agency59, Toronto
CCO: Brian Howlett
CW: Ketan Manohar
AD: Naeem Walji
Agency Producer: Maggie Kelly
Production Company: Cartilage Inc.
Director: Vincenzo Natali
Executive Producer: William Cranor
Producer: Matthew Kloske
D.O.P.: Jeremy Benning, C.S.C.
Visual Effects: Alter Ego
Editing: Married to Giants
Music: Cyrille Aufort
Sound Design: RMW
Starring: Michelle Nolden

Is This Zombie Ad Too Violent for Prime-Time TV?

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Norwegian sporting goods retailer XXL has agreed to stop running its new zombie-themed ad during family-oriented TV programs, a decision reached after a flurry of viewer complaints that the spot was inappropriate. The ad shows citizens of a small town banding together to fight zombies with soccer balls, hockey sticks, fishing poles and a bizarre array of other sporting goods. After the spot debuted last weekend, complaints came in swiftly on the brand's Facebook page, where one angry parent of a 9-year-old called it "stupid and provocative." Others criticized it as pointlessly violent. The ad clearly isn't scary, and it avoids most of the usual zombie ad cliches, so there's probably one of two forces at work here: Either Norwegians are the type of people who thought Army of Darkness was actually a horror movie, or (more likely) people are just getting sick of zombies. Via Huffington Post and With Leather.

Top 10 Commercials of the Week: Nov. 30 - Dec. 7

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This week, Bing bashed Google for "Scroogling" your holiday shopping searches, StubHub's ticket tree mourned its piney and formerly ornamented cousin, and Expedia unleashed a rare commercial that will have you crying and smiling at the same time.

Many of the hundreds of TV commercials that air each day are just blips on the radar, having little impact on the psyche of the American consumer, who is constantly bombarded by advertising messages.

These aren't those commercials.

Adweek and AdFreak have brought together the most innovative and well-executed spots of the week—commercials that will make you laugh, smile, cry, think and maybe buy.

Video Gallery: Top 10 Commercials of the Week

The Walking Dumb: A 'Dumb Ways to Die' Parody With Zombies

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Zombies have been done to death. But that didn't deter Teddie Films and the crew from Utah's Rocky Point Haunted House from creating an undead-themed parody of McCann Australia's much-praised "Dumb Ways to Die" train-safety PSA. The animated spot's infectiously dark-humored musical safety message is re-animated as a primer for keeping Walking Dead-style zombies on the move amid the many hazards they face when looking to feast on the flesh of the living. The recently risen are warned: "Only travel in a herd/By yourself is not preferred … Take a hit right to the head/It's the only thing that makes you dead." OK, the lyrics don't approach the jolly death-rhymes of the real PSA, and the concept's a stretch. Even so, the gory visuals are great fun, and I admire the overall verve of the production. Lampooning the uber-popular original (33 million YouTube views!) took guts. And braaaains. But mostly guts.

Giant Rotting Fingers Count Down to Walking Dead's Return

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Toronto's Union Station has been graced by this cool "zombie hands" installation for The Walking Dead that loses a finger every day until this Sunday, when Season 3 returns to the air. I wonder who's in charge of removing the fingers. Does the agency make some intern walk down there every morning and do it, or is it some Union Station janitor's responsibility? I also wonder who's in charge of calming down any children who happen to walk past. Those without impressionable youngsters at home can tweet #TWDFeb10 for a chance to win one of the giant fingers, which would make a great ottoman. I hope they make a big show of the daily dismemberment since this ad is more interesting than the show has been for a while now. Agency: Leo Burnett in Toronto. Via Copyranter.


Zombies Swarm Around Infected Hashtag in Clever Campaign for Walking Dead

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Whenever I write about zombies, I tend to bury the lead. That's a grave mistake. Anyway, here's a case study about how the Darewin Agency used social media to make The Walking Dead a hit on France's NT1 TV network. On its Walking Dead site, NT1 advised people to avoid a "zombie virus" by avoiding the #walkingdeadNT1 hashtag, which naturally prompted people to use it. Within moments of posting the hashtag on Twitter or Facebook, users were suddenly followed by hoards of virtual zombies. (Maybe those new followers were just average French people. Undead or Parisian … it can be tough to tell.) Contrast this campaign—in which 30,000 users were "attacked" by zombies in less than two weeks, with 550,000 impressions tallied—with this Walking Dead stunt from Toronto, where a finger was chopped off a pair of giant zombie hands each day until the series' return to TV. Effective for sure, but the French effort required more braaaains. Via Adverve.

Agency to Prospective Clients: Call Us or We'll Send a Drunken Zombie After You

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This self-promotional clip from The Ungar Group, a boutique agency in Chicago, shows what might happen if you crossed Mad Men with The Walking Dead. You'd get a dapper, cigar-smoking, brandy-sipping, scab-faced ghoul who warns, "If you're looking for an advertising agency and don't meet with The Ungar Group, you'll regret it for the rest of your lives." Major props for infusing the initial pitch with a threatening tone and aura of hopelessness and decay. Such elements usually take at least a week to permeate agency-client relationships. Actually, lots of ad guys look like the withered zombie in this video. Pitching new business sucks the life right out of them.

Does the American Shopping Mall Have a Second Life?

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Here’s how to have a good time at the local shopping mall,” a reviewer called Bunny E. posted on Yelp this past February. “Load the ‘Dawn of the Dead’ soundtrack on your MP3 player and go to the mall between 7-8 a.m. (before they even turn on all the lights). Hit play and immerse yourself in a post-apocalyptic nightmare world. And get some great exercise to boot!”

The shopping center Bunny E. reviewed is the massive, 1.5 million-square-foot, nearly empty Cincinnati Mall, in the northern suburbs of Ohio’s third largest city. It is one of hundreds of dead or dying indoor malls that dot the American landscape. Moms and dads who fondly remember teen years spent flirting at the mall now bring their kids to watch bulldozers flatten the dated buildings. Ironically, some of these zombie shopping malls have more nostalgic followers on Facebook and blogs like Deadmalls.com than they have actual shoppers.

Blame the recession, Amazon and unimaginative retailers. Offline stores are scrambling for “progressively smaller pieces of the retail pie as e-commerce relentlessly gains share in many categories,” says Jeff Jordan, general partner at venture capital firm Andreessen Horowitz. Circuit City, Borders, CompUSA, Tower Records and Blockbuster all folded their tents, and many others are showing signs of serious economic distress, he points out. “The mall and shopping center stalwarts are closing stores by the thousands, and there are few large physical chains opening stores to take their place.”

Some malls, however, are fighting back, using social media and inventive combinations of retail and community outlets. Doctors’ offices, clinics, churches, indoor sports fields, grassy parks and even schools are filling up big chunks of retail space and attracting potential shoppers. What’s more, just when you thought it was a goner, the traditional shopping mall format is surfacing in some unexpected places (think airport security). The trend reflects consumers’ growing interest in blending recreation, education and other activities with the brick-and-mortar shopping experience, say experts.

Shoppers clearly still care about the fate of these spaces. When the 45-year-old, 32-acre Miracle City Mall in Titusville, Fla., closed in February, a local organization with deep Facebook connections wooed developers with a rally in its sprawling parking lot. The Greater Titusville Renaissance committee was hoping for several hundred supporters-cum-shoppers—about 3,000 showed up, along with high school marching bands and food trucks. Some supporters carried signs that read, “If you come, we will shop.” Tentative plans for a new Miracle City Towne Center include five large stores (the old mall had two anchor stores), smaller shops and offices facing a small park and a tiled outdoor walkway. The new mall might also include doctors’ offices, an urgent-care clinic and restaurants, says Robin Fisher, Brevard County commissioner and point person on the redevelopment.

Social media has been crucial in driving the project forward. “Looking at our demographics doesn’t tell the whole story. We needed the developer to understand the community’s [hunger] for a nearby place to shop,” explains Fisher, adding that Facebook helped get residents connected to the developers. By April, a development partnership based in Columbus, Ohio, was attempting to buy the old mall and line up tenants for the new open-air center. Demolition has been set to begin by the end of this year.

In the past, shopping malls were always set up more for developers than retailers, says David Ginsburg, CEO of Downtown Cincinnati Inc., a business development nonprofit. His organization is helping push redevelopment plans for another dead Cincinnati mall, Tower Place, which shuttered in February. The city bought the property in foreclosure and is negotiating with a developer to turn it into a parking structure with stores at the street level. The old mall parking garage would be replaced with a 30-story residential tower, more parking and a supermarket, says Jeff McElravy, senior development officer at City of Cincinnati.

“We need to learn the lesson from the empty malls and make our new shopping centers adaptable for what residents will need in the future,” Ginsburg says. For now, brick-and-mortar stores will probably become a small part of community mixed-use malls, he adds.

Not everyone agrees. Mixed-use shopping hubs are a pipe dream, argues Don Wood, CEO of Federal Realty Investment Trust, which owns more than 80 shopping centers around the country. He says the towns around failed malls are not dense or high-income enough to support mixed-use projects. In addition, the projects are costly to build and require that developers have a wide range of experience in retail, office and residential, which is rare.


JCPenney, Dixie Square Mall, Harvey, Ill.

Not Dead Yet
From a brand and marketing perspective, the mall situation seems far more hopeful. The reinvented mall is merely in need of its own brand identity, featuring activities like ice skating and bowling plus retail stores carrying unique private label products, says Raj Kumar, partner in the retail practice of consultancy A.T. Kearney. “We know cookie-cutter, middle-of-the road shopping environments don’t cut it anymore,” he says.

Stores making a home in these hubs will also have to change their way of doing business. “Customers need to feel at home in the retail space such as they do at outfitter REI, which offers products, staff, décor and advice tied to outdoor activities,” explains Kumar. “Retailers also have to customize the buying experience to make you feel special—such as Lowe’s, which keeps a database of your purchases to help you shop.” The winners in the space will be specialty stores with robust websites that can respond quickly to a very specific target audience, Kumar predicts.

The National Retail Federation’s 2012 Shopper Experience study supports that. Four out of five purchases are still made in physical stores, according to the study, but shoppers are more demanding.

“Armed with tools to access data at any moment, they are poised to buy and expect retailers to be ready for them,” the study points out. To keep customers coming back, it advises, retailers must recast stores as places for discovery and interaction with products, where employees assist in the decision-making process and shoppers enjoy instant gratification.

Also encouraging is research from Piper Jaffray which shows that teens prefer to shop in-store, especially for clothing. A study released in April indicates that about three-quarters of teens would rather shop in-store than online. Paradoxically, it also shows that a majority of teens are doing much of their shopping online. The upshot: There’s a ripe opportunity for savvy mall retailers to snag those texting teens.

But they still have a ways to go.

“No one is ready to abandon the mall concept entirely,” says Peter Breen, managing director at the Path to Purchase Institute. “But the big national chains haven’t devoted much capital to any major real estate transformations. The emphasis for most of these dinosaurs has been on opening digital channels, with the logic that if you can’t coax the shoppers out to the mall anymore, then go find them at home.”

Mall mainstay JCPenney has become a veritable poster child for the shopping center’s struggle to adapt. The company last month replaced CEO Ron Johnson with his predecessor, Mike Ullman, after Johnson’s ambitious turnaround efforts—no coupons, stores within a store—harpooned sales. Survival, rather than innovation, seems to be the chain’s current strategy.

In the meantime, the hulking, 25-year-old Cincinnati Mall is holding on by its fingernails, with three-quarters of the space sitting empty. The owner hopes to sell about 15 percent of the retail space for a youth sports complex, but government red tape is slowing down the deal.

Meanwhile, the facility was rebranded in late February as the Forest Fair Village. Kohl’s, Burlington Coat Factory and Bass Pro Shop Outdoor World have kept their doors open, with Bass continuing to offer in-store classes and outdoor-themed activities along with hunting and fishing gear. “We don’t call ourselves a mall anymore,” says Karla Ellsworth, general manager of Forest Fair. “We are transforming into an indoor family activity and shopping center. It will be a place where parents can browse for clothes or shoes while their children are taking hockey or gymnastics classes.”


Toys & Gifts, Belz Factory Outlet Mall, Allen, Texas.

Shop the Friendly Skies
Traditional malls may be dying in suburbia, but the mall concept is booming in the nation’s largest airports, where an audience trapped behind security gates is looking for diversions. Air travelers are increasingly enticed by malls jammed with high-end retailers selling perfume, cosmetics, clothes, technology, wine and books.

Examples abound. This year, Los Angeles International Airport’s new Bradley West International Terminal will add more than 60 food and luxury retail stores, including Michael Kors and Fred Segal. Dallas-Fort Worth International Airport recently increased space for retailers and concessions in Terminal A by 50 percent, with new upscale offerings including Geppetto’s toy store and wine bar Vino Volo. Over the next three years, Denver International Airport will completely overhaul its food, beverage and retail space, adding stores and updating existing ones.

Stacy Moore, a food retail strategist, says airport malls have become so popular that travelers have been known to go to the airport early so they’ll have time to explore the shopping promenade before a flight. Those retailers with the most success, she says, sell clothing, gifts, food or beverages that are unique, fun and tied to the local area. Wine shops with tasting counters are also big, as are Best Buy electronics kiosks and Life is Good gift shops.

Impressed with the sales trends, Moore opened her own shop that sells specialty food inside a new shopping mall at Boston’s Logan International Airport. Since Terminal C has become more populated with retailers, Moore reports a 30 percent sales bump for items like gluten-free sandwiches and packs of local chocolates and roasted nuts.

What, if anything, can zombie malls learn from these buzzing airport shopping hubs? Echoing the findings of the NRF, Moore says they demonstrate that consumers will still go to a physical shopping space but only if it lets them gain some specialized knowledge and have new experiences.

“Even in an airport, shoppers will walk right by a chain store with products and displays they can see anywhere,” says Moore. “If you are a mall, your only hope is in targeting the right customer behavior.” 

Ad of the Day: DieHard Batteries Prove There's Life in Zombie Ads Yet

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The scary strong ratings for AMC's The Walking Dead—we'll surely see killer numbers shortly for Sunday night's season-four premiere [UPDATE: Yep]—suggests there's very little zombie fatigue out there among TV viewers. Even zombie-themed commercials, parasitic though they may be, continue to replicate—zombie-like themselves. And luckily, some of them are actually entertaining.

This latest one, from Y&R Midwest and Tool of North America director Tom Routson, for DieHard car batteries, is a great little 70-second ride of comedy and dread. Dead car batteries, let's face it, are an age-old adversary for your typical mobility-challenged zombie evader. And indeed, here a battery sits lifeless at precisely the wrong moment.

The spot is wonderfully staged, paced and shot. But the reason it really sings goes back to the Y&R script, with a curious little story of betrayal and redemption that's neatly seeded between a man and woman fleeing the undead. The relationship takes just seconds to establish, but it gives the ending a kind of joyful energy that not many zombie ads, steeped in carnage, ever manage.

The campaign uses the hashtag #SurviveZombies and includes an offer of 10 percent off DieHard products at a zombie-themed Sears.com landing page.

CREDITS
Client: Diehard
Spot: "The Getaway"

Agency: Y&R Midwest
CCO: Bill Cimino
CD: Pam Mufson
CD: Jeremy Smallwood
Executive Producer: Brian Smego
Producer: Deja Von Ende

Production Company: Tool
Director: Tom Routson
EPs: Brian Latt, Dustin Callif, Oliver Fuselier, Danielle Peretz
Producer: Cindy Becker

Editorial: Whitehouse Post
Editor: Matthew Wood
Executive Producer: Dan Bryant
Producer: Laurie Adrianopoli

Visual Effects: The Mill Chicago

Original Music and Music Licensing: Beta Petrol 

Sound Design and Mix: Another Country
Sound mixer: Dave Gerbosi

Addtl sound design: Matt Wood

Hyundai Giving Away Another Zombie-Proof Survival Machine in Latest Walking Dead Tie-In

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The new ad in Hyundai's ongoing tie-in with AMC megahit series The Walking Dead features a scruffy bunch of zombiepocalyse survivors who could pass for Woodbury refugees taking shelter with Sheriff Rick and crew. That means they'll probably be dead soon. Sharp sticks will get them only so far against angry hordes of walkers and that pesky black cloud that hangs over our heroes.

The latest commercial, from Innocean USA, helped kick off the drama's fourth season this week and launch the next round of Hyundai's Chop Shop initiative. Fans can win a custom-designed, tricked-out, zombie-proof 2014 Hyundai Tucson in the "Survive and Drive" sweepstakes. If it's anything like the inaugural prize, unveiled at the recent New York Comic-Con, there will be razor wire and machine guns.

Hyundai, an early sponsor of The Walking Dead, has to love this killer alliance. The show's Season 4 premiere pulled in a record-busting 16.1 million viewers, up 30 percent from its previous high-water mark. More Chop Shop-centric ads will debut on Hyundai's social media networks within the next few weeks. See the previews below.

CREDITS
Client: Hyundai Motor America
Spot: "Speech"

Agency: Innocean USA
Executive Creative Director: Greg Braun
Creative Directors: Barney Goldberg, Scott Muckenthaler, Tom Pettus
Art Director: Arnie Presiado
Copywriter: Jeb Quaid
VP, Director of Integrated Production: Jamil Bardowell
Executive Producer, Content: Brandon Boerner
Product Specialist: Lawrence Chow
VP, Account Director: Juli Swingle
Account Supervisor: Darcy Tokita
Account Coordinator: Kohl Samuels
VP, Digital Engagement and Strategy: Uwe Gutschow
VP, Media Planning: Ben Gogley
Media Director: James Zayti
Senior Business Affairs Manager: Lisa Nichols
Project Manager: Dawn Cochran

Production Company: Biscuit Filmworks
Director: Mike Maguire
DP: Neil Shapiro
Executive Producer: Colleen O'Donnell
Producer: Tracy Broaddus
Production Supervisor: Mitch Livingston
Casting Agent: Mary Ruth

Editorial Company: Union Editorial
Editor: Jim Haygood
VP Executive Producer: Megan Dahlman

Music Company: Human
Producer: Jonathan Stanford

Telecine Place: Company 3
Online Place: Union Editorial
Record Mix Place: Eleven Sound

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